So recently, at Barnes & Noble, my attention was drawn to a hardback on the “fantasy new releases” table, featuring what was described as “flintlock fantasy with airships, a touch of humor, and an engaging female hero.”
I nearly burned the place down. ¬.¬
After the writing, revising, submitting, re-revising, submitting again, and so forth that Sky Pirates of Calypsitania has gone through, to see this thing sitting there made me want to scream at the top of my lungs, “THIS SHOULD BE MY BOOK!”
So. Yeah. I was upset. Deep breaths. Let’s work this thing out.
On the positive side, clearly someone must think there’s a market for the kind of books I want to write. I mean, there it is. But I have to connect to it.
And to be clear, I’m pretty sure that the author of that book worked just as long and just as hard on it as I did on mine. My own personal green-eyed-monster popping out notwithstanding, I wish them success.
That doesn’t alter the fact that I had this extreme, intensely emotional reaction to seeing “my book with someone else’s name on it” right there on the very table where I have been trying to get my book for years now. What I have to do, is direct that energy in a positive direction.
If this is the team that put the book on the table, I reasoned, then it could serve me well to hook up with that team. A little research turned up the agent of not-my-book. I went back and rewrote the opening, again, to address feedback the book had received on the previous round, getting thumbs-ups from my beta readers, and sent it to that agent. Given that this particular agent has a strict “Don’t call us, we’ll call you,” policy, however, the response could easily range from an excited followup any day, to chirping crickets until forever.
I don’t intend to wait. As far as I’ve been able to make out, the main thing that makes a writing career succeed (besides lightning in a bottle) is sheer volume. The most popular and well-paid writers I know get that way by writing a lot of books. And as much as I love Sky Pirates of Calypsitania, it is only the one.
What this boils down to is, I need to work on another book. I’ll keep shopping Sky Pirates around as long as it takes, but I can’t leave my career on hold waiting for any one project to move.
I have been trying to write a more “mainstream” fantasy, and I got maybe a third of it done as part of last year’s NaNoWriMo, but I keep running into a fundamental paradox: in trying to adhere to more standard tropes in order to make the book “sellable,” I feel like I’m just aping other people’s work, which in turn makes for a book that I’m not sure I would read, myself.
Of course, it’s just the first draft of said book, and so there’s an argument that I should just finish the thing, with “rip out all the Tolkien” being one of the goals of the second draft. But if I know all the Tolkien needs to come out anyway, then leaving it in there for the first draft feels like creating work I don’t need to do.
So perhaps I should just leave that one in the drafts folder and start a whole new project that’s more like what I want to write.
But I need to do something. I need to get somewhere.
It’s weird how I go through these phases. Like, I haven’t played a game of Overwatch in months. I have signed on once or twice to update the app, but I haven’t actually played any.
It’s a side-effect of energy level. Since the heat wave around AnthroCon, I have spent most of my time pretty much as pictured above. What productivity and energy I’ve had has focused on my writing, because that mostly uses my brain and my fingertips. When I log into a game, it’s Lords of the Rings Online, for the same reason. (And also because LotRO finally got to Mordor, and there are lots of rumblings about the state of the game and the company that runs it. There’s a non-zero chance LotRO may not be around forever, and I want to get the most out of it while I still can.)
I still like Overwatch and at some point I’m sure I’ll get excited about it again. I’m a little surprised the Summer Games event hasn’t lit that spark, considering how much I loved Lucioball the first time around. But right now I’m just not feelin’ it.
But one thing this has definitely taught me: I am not cut out to be YouTuber/streamer. Not in the way the industry exists right now, anyway. I can’t (and don’t really want to) knock myself out trying to grind out 10+ minutes of content to post as-close-to-daily-as-possible. As a general rule I dive deep into projects and come up for air weeks or months later, producing something big when I’m finished (e.g., that D&D map, or a novel).
This has always been the biggest challenge of doing a comic, fighting with having to keep feeding the beast when there are other things I want to do instead. The only reason the comic actually keeps going is because a) I love it, and b) there are too few good furry comics as it is.
I’m sure that when the Overwatch bug bites again, I’ll be streaming and posting and all that jazz just as I’ve been, but purely for the fun of it. I’m not going to chase viewers or subscriptions. There’s a fair chance I won’t hit master level with Mercy because I’m not competing enough, and eh, that’s okay. It’s an artificial goal designed to give me a destination anyway, not something I had a driving passion for in and of itself. I’m still going to do my best. 🙂
But only when it’s fun. ;P
I’ve added a new tier to my Patreon page, specifically for people interested in checking out my writing projects, including the Sky Pirates of Calypsitania and By Elves Abandoned series, plus whatever else I get rolling in the future.
Besides serializing the novel draft (posting a scene every week or so), I’ll also be posting items for feedback, looking for suggestions or ideas, and so on. If/when the novel is finally published I’ll make some kind of arrangements to reward Patreon subscribers who helped with it as well, but that’s something I’ll have to figure out when the time comes. XD
This tier is for supporters at the $3/month level. I believe that $3/month subscribers should start seeing the posts immediately (the first one will come later today or tomorrow), but you might want to edit your subscription to select the Writing WIP tier just in case.
Thanks as always, awesome subscribers! <3
REMINDER! All Patreon subscribers are eligible for commission discounts and early access to Suburban Jungle comics!
Trying to make my prices a little more easy-to-calculate and a little less “pulled a number out of Buster’s shell.” 😀 Subscribers to my Patreon get a 5% discount.
When not at conventions, I can still sell the books and buttons but they’re easier to get through their respective publishers:
In other news, an unpublished Michael Macbeth story which has been languishing in publication heck for (mumble) years was freed last night when I received official word that the anthology it had been accepted for was canceled. I haven't decided what to do with it yet; my first choice of the next market won't really work, so I might toss it up on Patreon or something, but it has to be in a paying venue.
Thoughts? Suggestions? I'd love to hear 'em!
With the recent decisions and actions taken by LiveJournal’s owners, many people are migrating their personal blogs to Dreamwidth, a “LiveJournal-like” blog that uses a very similar interface and can import existing LJ posts, comments, and settings to make the transition easier.
Unfortunately, Dreamwidth lacks some features of LiveJournal, including direct Twitter integration. But if you would like to have a script that will automatically post a tweet to your followers, there’s an easy workaround, thanks to a handy website called IFTTT (or, “If This, Then That”). IFTTT requires creating a free login, but is more than useful enough to be worth it.
The following steps assume you already have Dreamwidth, Twitter, and IFTTT accounts up and running.
Step One: Find Your Dreamwidth RSS Feed
A website’s RSS feed (short for “RDF Site Summary” or “Really Simple Syndication”) is a tagged XML file of posts made to that website, designed to make it easy for other services to “consume” the page.
Every time you post to your Dreamwidth account, your RSS feed updates, and that will be the trigger for IFTTT to send a post to Twitter. Most Dreamwidth styles have a button labeled “RSS” somewhere on your blog posts page. You can either click through the button, or right-click (contextual click) to find and copy the feed URL. If you can’t find it, try simply appending “/data/rss” to the end of your Dreamwidth account’s URL.
Step Two: Create a New IFTTT Applet
On IFTTT, go to the user menu on the upper right and select the “New Applet” option. That will take you to the “Applet Maker” screen.
Step Three: Choose the RSS Feed Source
Click on the blue “+this” link to choose a source, and from there click on “Feed” to select the RSS feed option.
That will take you to the “Choose Trigger” page. Select “New feed item” to have the service scan for new post entries, and when prompted, copy and paste the RSS feed link from your Dreamwidth account (found in Step One) into the Feed URL field.
Step Four: Choose the Twitter Posting Result
Submitting the feed URL should take you to the next step of the IFTTT applet builder, giving you a prompt that looks like this:
Click on the blue “+that” link to select your output destination, and then select “Twitter” as your action service.
This will send you to a screen asking what action you want to perform on Twitter. Select “Post a Tweet,” which will take you to a screen showing your various posting options.
A simple entry of “EntryTitle EntryUrl” will tweet the title of your Dreamwidth post followed by a link to that post, but you have several other options as well, including a timestamp (“EntryPublished”) or free text of your choice.
For my own Dreamwidth account, I entered “Dreamwidth: EntryTitle EntryUrl”, which produces a result like this:
Step Five: Finish!
Once you have your tweet format set up the way you want it, click on “Create action” and you’re done! You’ll be given the chance to review your applet and make any final edits you might want. Once you approve the applet, it will go into the “My Applets” library. Then all you have to do is add a new post to your Dreamwidth journal, and your Twitter followers will be notified.
This same method can be used to create a wide variety of “cross-posters,” which is handy for anyone who runs more than one blog or other content creation service. The results may vary from service to service— different blogs have different methods of consuming and posting RSS feeds— but it is very flexible tool.
Skip a week for the holidays, and suddenly I have a billion things to talk about! Let’s jump right in!
So you remember I wasn’t satisfied with the “Three Lions and an Otter” motif because it was too close to M.C.A. Hogarth’s “Three Jaguars?” Sure ya do, it’s like the next post down from here. Anyway! I happened to be looking at my LinkedIn page and noticed a little thing I had dropped into my bio: “I’m all about bringin’ the awesome.”
Well… yeah. 😀
So that’s gonna be my thing. Expect a lot more bringin’ the awesome in 2017! The three lions and an otter are still there– they’re how I organize my workflow and my thoughts– but they’ll probably fade into the background a bit.
Commission Price Reorganization
My last price list update was in the summer and was pretty vague and incomplete. Pricing your own art is always tough– it’s kinda like a magic trick, and knowing how it’s done makes you forget the work and practice that actually went into it. I was told by a few artists I respect that I was undercharging, and I think it may have actually been hurting my sales, if the table at Midwest Furfest is an indicator.
So this is a heads-up, my prices will be going up a bit later this month, but they’ll also be more clearly defined, so it’ll be easier to look at what I offer, compare it to your budget, and decide what’s right for you.
“Learn To Use Copics” Sale!
Also! Part of my holiday splurge was to pick up something I’ve wanted for a while now: I bought myself twenty shiny new Copic markers, and I’m itching to learn how to use them! So in a week or two I’m going to open up slots for full-color real-media commissions at a crazy discount price, with the proviso that your piece will be a guinea pig for Copic practice, so the colors might be a little all-over-the-map. XD
Streaming Is a Thing!
So I have settled on Tigerdile as my streaming service of choice, and they’ve been pretty great so far. They’ve been responsive and friendly, and the site has a lot of nice features, with more coming in the new year. I’ll be streaming pretty regularly on Monday, Tuesday, and/or Wednesday nights, starting around 7:30 p.m. EST, working on commissions, the next comic page, or whatever else happens to be going on at any given time.
Phew! I think that’s everything for now? If not, I’ll let you know. 😉 Thanks for reading, and stay awesome!
As mentioned last week, I’m in the midst of something of a “brand overhaul,” which includes everything from my comics and art, to my novel writing career, to my business writing and graphic design efforts. Each of these categories need a slightly different approach, and I’m still banging out a strategy for that, but today I’m concentrating on the art end of things. Because this past week I set up a TigerDile streaming page, for which I needed some graphics to spruce up the place. To that end, I tossed together this banner image:
Honestly? I like it. I like it a lot, in fact, except there’s one big problem, and that’s using “Three Lions and an Otter” as the central motif. It’s a handy model and I think there’s value in it as a touchstone for myself, but it’s not what I want to use for my “brand identity.”
As I took pains to point out when I first started using it, the idea was
shamelessly stolen from inspired by M.C.A. Hogarth’s Three Jaguars. This is not a secret. In fact, it’s kinda the whole point. It was intended as a respectful nod towards a brilliant conceit. But what do I immediately get every time I reference “Three Lions and an Otter”?
“Say, are you familiar with Maggie Hogarth?”
“Y’know, M.C.A. Hogarth did something similar. You should check it out.”
“Have you seen Three Jaguars?”
Okay, world. I get it. Message received. XD
So I’m still casting about for a proper umbrella term to use for my “personal brand.” Don’t be surprised to see me “trying on” a few different ideas in the upcoming weeks! Some great ones I’ve seen over the years besides “Three Jaguars” include Michele Light’s Light Bright Studios, the OzFoxes, and so on.
I thought about simply broadening “Suburban Jungle” to reference the body of my work, with the original comic and Rough Housing simply being two projects flying under that banner, but I worry that might be too confusing. Those two projects share a history and a continuity, which random bits of furry art or whatever might not.
So… still chewing on it. I’m open to suggestions if you have any!
One of the purposes of identifying the three lions and an otter was they made handy touchstones for the tasks I need to get through with my writing and illustration. My plan was (and still pretty much is) that each of them would get a certain day (or days) during the week for their thing, to help me keep focused and on task.
Of the four of them, Content Guy requires the most time, because he’s the one who actually does the writing and drawing. On the other hand, Business Guy’s stuff doesn’t take as long, but it’s such a struggle for him that it feels like it takes forever. Fandom Guy loves what he does and is always having fun, but he has to focus his efforts on the days when people are most likely to be listening.
Muse never does anything directly. So she has no day… or it might be said she has every day.
Thus, assuming a five-day work week (which may or may not be a valid assumption), the week breaks down like so:
- Monday: Fandom Guy! I haven’t looked into it recently, but for a long time the stats of websites made it very clear that Monday was the day people were most likely to check out links and want to be distracted from their day. So if Fandom Guy wants attention, this is the day to go for it. That’s why Suburban Jungle goes up on Mondays, and so when Fandom Guy has something to say, that’s the day you can expect to hear from him.
- Tuesday, Wednesday, Thursday: Content Guy. Assuming nothing else gets in the way, these are the days our hard-working lion spends down in the pixel mines. Of course, this can also include work for Fandom Guy in the case of things like streaming sessions or posting commissions and the like. But these days are mostly for just getting the work done.
- Friday: Business Guy. Last but not least, our frazzled number cruncher does his thing on Fridays, whether it’s paying the bills, keeping URLs up to date, booking convention hotels/travel, hunting down markets/editors to submit to, or updating merchandise availability. Why does he get Friday? So that at the end of a long day doing things for which he has little talent and less patience, he can kick back and have the weekend. 😉 He earns it!
Now given that the average page of Suburban Jungle takes me two days to draw, this means that Content Guy only has one day dedicated to business writing gigs, commissions, book writing and whatever else. But the sneaky trick here is that Fandom Guy and Business Guy rarely need a whole day each week, so Content Guy gets whatever they don’t use. Also, well, weekends are a thing. As the old saying goes, “Find a job you like and you’ll never work another day of your life.” I write and draw because that’s what I enjoy doing (and because I kinda can’t not do them), so as long as I have some time to spend with Mrs. Gneech and the kitties, “working” on the weekend is the opposite of a problem.
And on that note, I’ve got commissions to work on! Catcha later.
So one thing that was made quite clear at the most recent Midwest Furfest is that I’ve really gotta get back in touch with the fandom. Suburban Jungle used to mean room parties and charity auction cameos going for hundreds of dollars, but this past weekend it seemed to be “That comic everybody used to know and remembers fondly.”
Dude. What am I, the Animaniacs? XD Nostalgia is not my brand!
Seriously tho, I think a lot of the problem is that as time has gone on, I’ve just gotten out of touch. I met plenty of people at the convention who’d never heard of me or my work, but upon seeing the art were instantly interested in checking it out. So clearly what I’ve got to do is get it front of more eyeballs!
To that end, I’m working on a retool of my online presence generally, looking for new venues to spread the word and so on. Besides the usual DeviantArt and FurAffinity accounts, I’m going to start posting more of my work on my Tumblr account (which has until now been little more than reblogs), I created a Pinterest board for my art, and I have (finally) started dipping my toes into groups on Telegram.
Sometime by the end of the year I expect to also start streaming fairly regularly on Monday and/or Tuesday nights as I work on the next comic page. Right now I’m still researching that, looking for artists with successful streams and watching what they do. (If you have faves, let me know! I want to see ALL THE STREAMS.)
As a general thing, I also just sorta need to get back out into the world. Over the past years I had kinda retreated into a cocoon as I dealt with the slings and arrows being fired at me by outrageous fortune, and I’m finally sticking my head back out. (What did I find? 2016. For cryin’ out loud, world, I hide away for just a few years, and you turn into a dumpster fire? I want you to go sit in the corner and think about what you’ve done while the rest of us clean up this mess.)
…Er, sorry, what was I saying? Right, getting back in touch with the world. I’ve got a few volunteers who are helping me with that, and I’ll gratefully take any assistance I can get, but nothing replaces me getting out there and taking care of it myself. I need to do a lot more connecting with the world than just posting to LiveJournal and Twitter, and that’s going to be a big priority for me over the next several weeks.
If anyone has ideas on what I should do, I’d love to hear them! 😀
Three Good Things for Today
- Finished and posted issue five page five
- Finished a long-overdue commission
- Nice dinner and walk around Barnes & Noble with lythandra
- Bonus Good Thing: Agent was "intrigued" by Sky Pirates 
- Bonus Good Thing: Got some recommendations for art streams
Three Goals for Tomorrow
- Post the commish to art sites
- Social media management/art posting plan
- Layouts for issue five page six
- Stretch Goal: Start next commish
Keep on keepin' on.
 Didn't take on the book, alas, but it's still better than a form rejection!
As things have developed, both public and private, I have decided that my I need to change my priorities in the upcoming months. To that end, I need to put By Elves Abandoned on the back burner and work on other things. Instead of working on those other things and feeling guilty about not hitting wordcount goals for NaNoWriMo, I’ve decided to simply let that go.
The book still has a lot of potential, and I expect to pick it up again before too long, it’s purely a matter of timing. Maybe my own personal NaNoWriMo will come in February, we’ll see!
Suburban Jungle will keep going, and punting on NaNo will hopefully give me time to fix up lingering issues I’m having with the current storyline and the direction the comic is taking generally. Fortunately, that only takes me a couple of days a week and could be done at night or on the weekends as needed. I am also still working on finding a publisher for Sky Pirates of Calypsitania.
How Not to Suck at Overwatch is also going to go quiet for the foreseeable future. It was a fun project and I enjoyed it (and I’m very grateful to the friends and fans who made it possible), but at least for now I have other things I need to concentrate on.
As for what I am working on, that’s not in a stage where I’m ready to tell the world. But when the time comes, I will! But until then, I’ve got commissions to finish and a comic to draw, so I’d better get to work.
First item of news: Issue Five launches on November 14th. I’m still kinda trying to figure out what I’m doing with it, but I’ve also reached the point where if I don’t set a deadline, it’ll languish, and I need to force my mental waveform to collapse (so to speak). I’m also going to be working on NaNoWriMo at the same time, and posting chunks of the NaNo project to my Patreon page for supporters.
Which leads to the topic of Patreon. I think I need to just come out and say it: I am terrible at running a Patreon. I have never been good at the “business hustle” part of being a professional artist, it’s just an alien world to me– and honestly, mental bandwidth I’ve been burning on trying to figure it out has been not just wasted, but siphoned away from the actual process of making the art. In short, I can run the business or make the product, but I can’t do both, and I need to stop trying.
How does that effect my Patreon? Well, my first inclination was to simply delete it entirely. But the strange thing about it is that many of my supporters have said they don’t really care about the “rewards” levels anyway, they just want to support my work. It’s kinda like the old Paypal tip jar, just a little more formalized.
So I’ve decided to leave the Patreon up, but I’m going to remove the reward tiers and make it a simple binary, “yes, you’re a subscriber, or no you aren’t” system. All subscribers will have access to all the Patreon content, which will include immediate comic page postings, draft chapters of books in progress, and so forth. I am also looking at changing it to a “per posting” model, and would be curious to hear any opinions folks have on the topic.
In any case, I’m going to make this change now, between monthly cycles, to give people plenty of time to adjust and/or bail if they wish.
Thanks for your patience! I hope to have some cool stuff for you soon.
Certainly, the largest factor is money. While I have been earning some money with my art commissions, writing, and other projects, it has never been more than "supplementary" level. That was fine while lythandra was making more than enough for both of us, but despite having an amazing job history and regardless of the best efforts of an army of recruiters, it's been over a year now since she had regular employment as well, and we simply can't keep living off our savings any more (or we soon won't have savings to live off).
As for what I'm seeking, I'm still working on that. I want to be in an office environment, but I don't think I could go back to writing code all day (and my skills in that department are super-rusty anyway). I'm going to start by looking for admin, data entry, or other sorts of entry level work and see where that leads me in the short term.
If anyone has leads, I'd be grateful to hear them!
How this will impact the writing and comics, I'm not sure. I imagine it will take me a little while to actually find a job anyway; during that time I am continuing to submit Sky Pirates of Calypsitania (rejection number ten or so just came in this morning) and working on other ideas, and I still have commissions to get through. Issue five of Rough Housing is kinda stuck in development heck as I fight through script problems, but I am still plugging away at that, too.
In the meantime, I'm also going to refactor my Patreon, as I'm just not able to devote the proper attention to it and I don't want to be misleading people about it.
I'm grateful to have had the past few years "off" to help my parents in their final days and to deal with other various life crises, as well as finishing the Sky Pirates novel and various other projects. But I can't keep coasting forever.
I am askew. And last night was the worst of it. Today was to some extent a sick day, although I didn't officially label it as such and like a nitwit tried to actually be productive in the morning. By lunchtime, I knew that wasn't going to happen.
But, with years of practice, I can feel this evening that the worst is over (for now) and I am starting the climb back up out of the hole. Assuming I can shove myself into bed early and get some proper sleep tonight, I will be back to being myself in the morning. At which time, I will want to have a plan so I don't end up just pfutzing around. To that end, here's this week's Too Much To Do List:
- Work up the "Langley the Lifeguard" idea for Roar 8.
- Find a "non-steampunk" tarot app to facilitate the "tarot as story prompt" idea.
- Find old "story vault" file and transfer to Google drive.
- Work on Issue 5.
- Furplanet commish.
- Let Man In Amber percolate on the back burner a while.
- Do some meditation not related to past-life regression.
That should keep me busy for a while. If you'll excuse me, I'm gonna curl up with Tumblr and look at KorrAsami and AppleDash stuff for the rest of the night and get all the feels.
On the value of good manners, the agent who passed on Sky Pirates of Calypsitania last week wrote back in response to my thank you note to say, “I think your writing is very strong and I wish you the best in your agent hunt! For me, I just didn’t fall in love with the characters in the way that I’d need in order to be a great advocate.”
This, while it may not sound like much, is actually hugely helpful feedback. When you send out query after query and get the same boilerplate “not a good fit at this time” response, you begin to question every little aspect of what you’re doing. “Is my query letter too amateurish?” “Am I committing enormous grammatical blunders that I just don’t see?” “Is my adventure story about airship pirates really just a string of vapid clichés?” “Are the weird relationships and social outliers in this story too off-putting?” “Am I a hamfisted hack and everyone’s just been too nice to say so?”
This tiny bit of specific feedback makes all that junk go away. Being told by an industry professional that my writing is very strong is a bonus, I won’t lie! But the real value here is knowing that it was a matter of personal taste, rather than a systemic problem with the work. There are plenty of books out there that are great books, but I just don’t get into them. The entire corpus of Ernest Hemingway, just for starters.
What that means, in real terms, is that I have to just keep putting the book in front of agents until I find one for whom the book clicks. Of course, that was my plan anyway, but I feel a lot more secure about it now. Even if this particular agent and I end up never crossing paths again (although there’s no reason we might not), she’s done me a great favor and I’m grateful for it.
It has often been observed that writing is a tough racket. Like, suspiciously so– people have been predicting the death of the written word pretty much as long as there have been written words, but particularly the death of the modern publishing industry as long as there has been a modern publishing industry, despite the fact bookstores tend to be full of people happily shelling out their hard-earned dollars for books even in this post-internet age and that book sales are actually up rather than down. The rates for writers are largely un-moved in decades, and editorial budgets are slashed, but book prices keep going up, so… that money has to be going somewhere.
However, for the time being at least, I am not interested in figuring out that mystery. Publishing for me is largely a giant black box where I put words in one end and, theoretically, money comes out the other. Or at least, that’s how it’s supposed to work.
Granted, I have not submitted that much for publication in the grand scale of things, being largely self-published or having worked mostly with editors who were also friends and colleagues already. But over the course of my writing career, I’ve had far more successes than rejections. In fact, I can only think of three rejections off the top of my head:
- A creature write-up sent to White Wolf for a Werewolf line “monster book” in 1989 or so. This was done hastily, because Bill (the line editor at the time) was in a pinch, and I basically threw together something that belonged in Call of Cthulhu instead. I’m not surprised he didn’t use it– in fact, I would have been more surprised if he had.
- Out In the Cold, my first full-length(ish) novel, sent to an agent c. 1996 in a fit of youthful enthusiasm. This was a cozy mystery, and it didn’t totally suck but it wasn’t great, either. It did at least garner me a very nice handwritten reply praising the narrative voice and depiction of the characters. I eventually decided that mystery writing was probably not where my strengths were and shelved it after that. And finally…
- Sky Pirates of Calypsitania, which as of yesterday has been rejected by one publisher and seven agents, and “soft rejected” by a handful more agents who simply did not respond (“If you do not hear in 4-8 weeks we aren’t interested.”). Of all these, yesterday’s rejection was the hardest.
The reasons why yesterday’s hit me so hard are twofold. First, this agent was specifically seeking steampunk novels– a genre which is notoriously tricky to get people interested in. I was very jazzed to see someone actually wanting steampunk, instead of having a subtext of “Okay, I guess I’ll look at it, but don’t you have any doorstopper fantasy or military SF we could check out instead?”
Second, after the initial query, the agent wrote back to me and asked for a larger sample, which was the first response of any kind on this book beyond a polite form rejection. I knew it wasn’t guaranteed that she would want to move forward after that, but I did think it was quite likely. She wanted steampunk, she liked the first chapter, and her agenting portfolio seemed like just the right fit for this particular book’s eccentricities. Alas, “After a careful reading, I am sorry to say that I don’t believe this project is right for me.” I sent her a thank-you note, and who knows, maybe something else will work later.
But in the meantime, we carry on. I really like this book– even if it weren’t my own it would be one of my favorites– and I honestly think it’s as good as anything out there. I know that steampunk is a long shot, and I know that first-time novelists always have a tough hill to climb. Yes, I’m disappointed, but I’m going to put it away for the weekend and then, come Monday, pull up the next three agents on my list and send it out again.
It is, as has been observed, a tough racket.
Hey, hey! Every once in a random period, I put up a little post welcoming my new readers and keeping everyone abreast of what’s coming up!
Welcome New Readers!
<3 <3 <3
…Not a lot more to say about that, actually. Got questions? Comments? Suggestions? I’d love to hear ’em, in the comments or via e-mail (thegneech at gmail dot com)! I’d also love to know how you came to be here. Suburban Jungle? Are you a Twitter follower? WHOOOO ARRRRRE YOOOOU?
Suburban Jungle Issue Five!
The cover is up! I’m going start drawing pages this week, with my current plan being for the issue to begin running September 5. I’m not going to set that date into stone yet tho, just in case things randomly go pear-shaped, as they have a tendency to do around here.
Sky Pirates of Calypsitania and NaNoWriMo
There is some hopeful activity on the novel front! Alas, I can say no more for fear of jinxing it, but I am excited and hope it works out! In the meantime, I am working on an outline for a sequel novel, under the working title of Eternal Promises, with an eye towards writing the actual manuscript (or at least large chunks of it) over the course of NaNoWriMo. (Which means, among other things, I need to get as much of issue five done as possible by the end of October!) Eternal Promises will finally bring the intended-but-never-produced first story from Arclight Adventures to the light of day, which makes me happy.
Overwatch Play of the Game Badges and Videos
There are only a few badge commissions left, but I do have a complete “Victory Poses Plus Badges” group commission that I will be trying to finish over August and September. (Because let’s face it, I won’t be drawing enough, right? ¬.¬ ) I only have footage for one more Learning Not to Suck at Overwatch video right now, which will probably go up sometime this week, but I imagine that series will be going for a bit longer. I’d love to know what (if anything) people think of it, beyond the obvious “There’s a watermark on the video and your microphone is wonky.” Think of those elements as… uh… charmingly kitschy? I don’t have the budget to fix them at the moment. 😉
My next convention will be Midwest Furfest in December, where you should be able to find me in the Artist Alley most of the time. Due to budget constraints, I am currently trying to find someone to take over my Dragon*Con room; if that doesn’t happen, it’s entirely possible I’ll end up going to that as well, even though I really can’t afford it, on the grounds that the money is committed so I might as well enjoy it.
So that’s the State of the Gneech at the moment. Busy, busy, busy, but creating a lot of stuff that I hope you’ll check out and enjoy. Life is good.
- Gryphon_2 potg badge (need refs!)
Loupy potg badge
- Script for issue five (cot'd)
- Issue five layouts
- Mail Kamau's power cord
- FurPlanet commish
- Sky Pirates 2 outline
Record footage for "Learning Not to Suck at Overwatch"
- Clean up gneech.com bibliography, about page, and categories
- Clean sinks