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Shade-Of-the-Candle runs into (or away from) danger!


Thank goodness SOMEBODY did. >.>


Anyway! Welcome to 2021, and let the un-suckening begin!


I’m moved, and for the time being at least I’m going back to full-time on my art and writing, which means that things should start picking up around here again! Thanks to all of you for being patient while I was digging out from the hole I’d fallen in.


My first order of business will be to clean up the commission queue! I still owe a few people commissions from October OR their Winter 2020 SUPPORT TIER OF CANGREJO DIABLO Patreon image, and January is going to be spent making sure all of those get done before I take on any new business.


For STofCD-level subscribers, Spring 2020 slots will open up as soon as I finish that, so probably February. :)


(And if you’d like to get in on some of that Patreon action, here: https://www.patreon.com/the_gneech )


My next priority will be to get Reclamation Project: Year Two edited and off to FurPlanet. Submissions are still coming in, so if you are in-progress or near completion, go ahead and finish off your story and send it. I don’t know how much I’ve got yet, but there’s probably room for at least one or two more good stories!


Following that we’ll see where we are, but I have two big projects I’d like to take on this year:


1) FINISH ROUGH HOUSING FINALLY, GEEZE, and


2) A SUPER-SECRET PROJECT WITH SHADE-OF-THE-CANDLE.


I realize that shouting in all caps about a super-secret project seems a little weird, but that’s just how I roll, babe.


So here’s looking forward to a year that doesn’t suck! We might even (gasp) be able to go to conventions again! C’mon, vaccine! :D


And thanks for coming along with me, friends. You rock!

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Shady, lookin' to gank some mooks.


It’s been a long time since I had a character just take over my brain the way Shade-Of-the-Candle has. Even Tiffany Tiger, who had a tendency to be doodled on any pizza box or napkin left lying within reach of me, didn’t just live in my head rent free 24/7 the way my piratey murdercat does. Certainly Tiffany never drove me to stay up until 4 a.m. trying to mod the hell out of Skyrim to create some semblance of her, just for starters.


But while I have written stories about Shady, and intend to do so again (with some big-name collaborators, if I can finally get to a stable place in my life again in order to take on a large project), that’s not really the experience I want. What I want, is to PLAY Shady. I want to vicariously experience her life in real time, reacting to her challenges the way she would, processing her triumphs and her heartbreaks as she does.


Shady’s lived a rich and full life in (modded) Skyrim, with a whole found family (she calls Inigo “Mr. Khajiit” and Ma’kara “Mrs. Khajiit,” even if legally she’s only married to one of them) and an impressive career as a renowned treasure hunter and a leader in the Empire’s war against the Thalmor.


Shady drove me to play the heck out of Assassin’s Creed IV: Black Flag, all the while doing my best to pretend that the stubbly blonde human male on the screen was actually my scrawny alley cat—because the story and gameplay of AC4 fit very well with both Shady’s motivations and her M.O.


Best of all, of course, is playing Shady in InkBlitz’s D&D campaign, and in many ways that’s what I think of as the “real” Shady. But Blitzy can’t spend his whole life running D&D just for me (and I wouldn’t want him to), which leads me to spend a lot of time staring at Shady’s character sheet and wanting to mess with it just to feel like I’m playing, somehow.


Gentle reader, I have spent SO much time staring at that character sheet. You can’t even know. -.- I’ve come up with different projected character builds, adjusted various stats up and down, even subjected poor Blitzy to multiple drafts of proposed house rules that would make her mechanically closer to my vision of how she operates.


This past weekend, as I was poking away at this build for the umpty-billionth time, I found myself wondering why I was spending my time doing that, instead of actually creating something. Why AREN’T I writing stories about Shady? Why aren’t I drawing her, instead of obsessing AGAIN over whether she should have INT 10 or 8 so that she can afford CHA 14 or 16?


The answer I finally came up with, is discovery. I want to “discover” Shady’s life, not create it. If I write the story, I know how it’s going to go by definition, because I’m the one who made it up. When I play Shady in a game, I don’t know what’s coming any more than Shady does, so when a dragon comes and blasts her boat to oblivion, I’m just as “oh shit oh shit” about it as she is. When Shady finds a wounded khajiit by the side of the road and ends up falling in love, I’m just as verklempt as Shady is.


But it’s not getting me anywhere. All that time I’ve spent noodling around with stat blocks could have been spent finishing a dozen WIPs, or writing new stories of my own that don’t require me to get “close enough” to what I want. So I’m going to try to do that. How I find the discovery element, I’m not sure. Use some kind of random generator as a story prompt? Grab the synopsis of some book I’ve never read and toss it at Shady? Dunno. But I do need to do SOMETHING more productive, I think.

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Gneech's Big Honkin' Pumpkin-Spiced Spoopy Commission Sale!


Like it says on the tin. :) I’m opening a limited number of discounted commission slots for October. It doesn’t have to be a seasonal-themed commission if you don’t want that, of course, it’s just a prompt to give you ideas. :)


One of my Patreon subscribers grabbed the first slot already, so that leaves five as of this morning. Hop on!


EDIT: All slots taken! Thanks all!


-The Gneech

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Shady is Best Artist. *nods*


Find the post here: https://www.furaffinity.net/view/37567551/


Lhexa has very generously sponsored a two-person fully rendered commission for… somebody! It could be you! :D The theme is “Hijinks.”


HOW IT WORKS: Comment below thanking Lhexa and saying you’d like to enter the raffle. On Saturday morning I will pick a random winner! Simple, eh?


If you have ideas for what sort of hijinks you’d like to be pulling, I’ll happily take suggestions. Otherwise I’ll just come up with something! My general list of “will/won’t draw” stuff can be found here: https://www.furaffinity.net/journal/9540159


Let’s have some fun!

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Pirate Mooncat D&D Portrait

D&D Portrait Commission for Mooncat! Speaking of, commissions are open: https://www.furaffinity.net/view/36111580/


Following up on Monday’s post, I’ve been taking stock of where I am in my art and writing career, and it’s clear that I need to attend to some things. Not the least of which is re-building my audience! I have a small-but-tight core of people who have been following my work forever through thick and thin (❤️ Jungloids!) and I wouldn’t trade them for anything. That doesn’t alter the fact that in terms of treating my work as a proper business, there are times when I need to look at it as a numbers game. Even with the crazy high ratio of followers-to-financial supporters that I have, the actual number of followers is tiny.


So, for an example, another artist I follow on Twitter posted a rough little sketch of a character they were noodling around with. It was a cute little drawing, nothing that exciting, but it still got something like 800 likes. I looked at that and blinked for several seconds—I get excited when a post of any kind, much less a doodle, gets over 20 likes. So I looked at their follower count, and discovered it was something like 12,000—compared to mine, which is currently hovering around 1,600.


Well, I mean, no friggin’ wonder.


Before people hop in with “Followers aren’t everything!” I want to make it clear that I don’t attach a personal meaning to have a low follower count on Twitter (or any other platform for that matter), I’m diagnosing a business problem here. :) Even if every one of those Twitter followers was converted to a $1 Patreon subscriber for instance (which isn’t going to happen, but bear with me), that still wouldn’t be enough for me to put food on the table.


I must grow my audience in order to succeed.


So my priority for a while is going to be doing that—but the truth is I have no idea how. O.o


I’m open to suggestions, and I’d love any help I can get. I’ve started posting art to Instagram to expand my horizons, and I am making it a priority to post at least twice a week there and other places, even if it’s just a little sketch-a-day piece. I also started up a fanart sketch request Ko-Fi, although I haven’t had any takers there yet.


So I’m curious! If you follow my work and don’t mind telling me, why do you? What attracted you and made you want to stick around? Do you have suggestions on how I can grow my audience? How do you do promotion? I’m eager to learn!

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Catra fits, so she sits.


Inspired by LizardBeth, I’ve decided to do semi-daily sketches, primarily fan art, but not necessarily so. The recent post of Shady and Silma was the first one I did; here’s another one, inspired by the series finale of She-Ra and the Princesses of Power. I don’t expect to post them all here—gotta do some quality control after all—but I really liked how this one came out and besides, it’s Catra. There’s never a day that wasn’t made better by having Catra in it. <3

I've opened up a fanart sketch request Ko-Fi as a source of prompts. Tell me what you want, world! :)


-The Gneech

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Everything I wanted.

Yeah. So. Spoilers. The title warned you.


The show that asked, “What if Star Wars was incredibly gay?” and then answers, “IT WOULD BE AWESOME AS FUCK!”


There’s so much for me to say about She-Ra and the Princesses of Power, I don’t even know where to begin. I already knew, when I was defending Catra as A Cinnamon Roll Who Wants to Kill You that this was a show I was going to be very heavily invested in. Catra literally feels to me like Noelle Stevenson plucked her right out of my brain and put her on the screen—to the point that I wrote to Ms. Stevenson directly and leveraged all of my comics/animation contacts into trying to find a way to get onto the writing team… without success, alas.


Catra would look at Leona Lioness or Tanya Regellan and say “Oh, you too?” She is also directly the inspiration for Shade-Of-the-Candle, whose own transition from snarling murdercat to laughing bandit has parallels to the arc Catra actually follows. As Emmet Asher-Perrin so aptly put it, “Catra was an instant favorite on the show among its fans. But there was something about it that nagged at me, something more specifically related to her type, and what that type said about me, and what it meant that I kept returning to it.”


And I’m not gonna lie, I was scared for Catra. With every season ending with her in a worse place than the last one, and knowing in very personal detail exactly the self-destructive cycles she was going through, I was terrified she was going to go down with the ship. Redemptive Suicide is such a terrible trope, but such a common one in fantasy and SF, that I was at least 65% convinced that was going to be her fate.


(Mere words cannot express how happy I am to read that Shadow Weaver’s final fate was intentionally written as an “Up yours!” at that specific trope.)


I stopped watching the show halfway through season four, because Double Trouble pushed too many of my buttons—I didn’t have it in me to watch these characters I was so fond of just unravel and tear each other apart, and after the end of season three I couldn’t bring myself to watch Catra do any more horrible things without some kind of light at the end of the tunnel. So I suspended my Netflix account and waited. There was no way I wouldn’t watch season five when it came out—but I couldn’t finish until I could actually finish, if that makes any sense.


So… where do I stand, now that the show’s over? Like the title says, it gave me everything I wanted. Catra to have a true redemption. A true, explicit and undeniable romantic relationship between Catra and Adora. Adventure, excitement, and really wild things. Strong characters, deep and compelling villains, beautiful animation. The first ever canonically and unambiguously queer protagonist in mainstream western animation. On some level, I must face that I resent that I couldn’t be part of it. When I knew getting involved in the show wasn’t going to happen, I created The Reclamation Project to redirect that energy, so good has still came of it, but for me She-Ra will never not be “one that got away.” It’s a historic, once-in-a-lifetime event, a revolution that I was only able to watch and not participate in. And there’s nothing I can do about that except get over it.


On the other hand, the sheer joy that S5 has filled me with blots out those dark thoughts. Scorpia going from doormat to utter badass. Entrapta—who I’ve historically been very down on—not just coming to grips with the difference between “people” and “things,” but also giving Catra one of the most understatedly but purely kind moments in Problem Cat’s whole life.


Wrong Hordak. Just freakin’ Wrong Hordak. He’s another character who feels like he was ripped out of my brain.


Catra’s sheer desperation for Adora in the final two episodes—and that Catra’s (requited!) love for Adora literally saved the universe.


I could do this all day. I’ll stop. If you’ve seen the show you know all these things.


What does it mean to me? I don’t know. I know that Suburban Jungle has touched lives—but not on the scale or sheer power that this show has. Is there still something useful for me to do? If so, what? And how do I do it? What can I bring to the table in a world that already has this in it?


I’ll find something.

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One of these is a sweet and loving feline, forced by circumstances to seem mean. The other is GrumpyCat.




First item of news! I passed my coach training finals! 😀 This means I will graduate from the Accomplishment Coaching training program, and I’m about 2/3 of the way to an Associate Certified Coach certification with the International Coach Federation.





Now… just to earn a living with it. >.>





Second item of news! Yesterday I was so inspired by Seanan McGuire geeking out over her Spider-Gwen gig that I decided– with no plan how or even idea of the feasibility– that I wanted to get involved in working on She-Ra and the Princesses of Power, on the grounds that as Seanan was basically born to write Spider-Gwen, I was basically born to write Catra. >.>





So I have spent all day canvassing anyone and everyone I know even marginally related to the animation industry looking for referrals or leads, as well as just flat-out e-mailing Noelle Stevenson via the address on her web page and saying “I want in! What do I do?”





In all of my years of creating comics, I never wanted to connect directly to a larger franchise before. As much fun as I’ve had banging around in the My Little Pony fandom, it never occurred to me to try to actually get involved in the show. Heck, LevelHead once offered to finance the creation of a NeverNever pilot to shop around back in the day, and I just didn’t think I was ready for it.





Why She-Ra, and why now?





Well, like I say, Catra is a big reason. She’s basically the Leona/Langley/Tanya/Brigid archetype I’ve been writing for 20 years. Another reason is something I described on Twitter a few days back, of having spent 20 years thinking I was being Tiffany Tiger in my career, when I was actually being Leona instead. For various reasons I’ve been going through my life with one foot on the gas and one foot on the brake, sabotaging myself without realizing it and feeling defined by the wins other people were achieving that I felt like “should be” mine.





The transformative process I’ve been going through in my coaching career has really opened my eyes to this, and it’s time for me to change it. Part of that includes putting down the ego-driven “Must create it all from scratch!” mindset and connecting to other creators (and other projects) outside my own little corner of the universe.





Wish me luck! This is a scary, ambitious undertaking for me. Not the actual work of the writing, that part is easy! But changing who I am, moving into a much larger world… that’s hard. O.o





 

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Made of awesome and win.


So many things to say about Stan Lee, but I have no words still.


-TG

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Blacktigr reference sheet commission

Okay, so it turns out that raffles are officially not allowed as Patreon rewards. Like, at all. Some people may still be doing them, but it is technically a violation of TOS (third bullet under All About Being a Creator), so my idea of a raffle is out.


So instead, I’ve decided to invite my subscribers to come up with and vote on a piece of bonus art by describing something they’d like to see me draw over the next few days. Then later this week (probably Weds or Thurs) I’ll bring them all together into a poll and everyone can vote on what they’d like to see. Think of it as a crowdsourced commission. 😉


(Note: This is in addition to the monthly SJ Boogie and other images.)


Ground Rules



  1. It has to be something I’m willing to draw, so all the usual caveats of no gore, cruelty, disempowerment, that kind of jazz apply. Things I’m not willing to draw, simply won’t go onto the poll.

  2. It can involve the SJ cast, OCs, pop culture characters, whatever. It could be another Ponies vs. Daleks piece if that’s what would float your boat.

  3. Maximum three characters, pls.

  4. It can be a NSFW piece (rule 1 still applies), but that would only be available to $5+ subscribers. If a SFW version is feasible, that will be available to all subscribers.


So! Whattya want to see? 🙂 Here are some potential ideas I’ve had, which will also be on the poll:



  • Finished version of Slippery When Wet.

  • Langley: Bikini-top snatcher! And a very irritated Charity.

  • Ponies vs. Daleks: Princess Luna

  • Ponies vs. Daleks: Princess Cadance


Head on over and post your ideas! (Only ideas from subscribers will go into the poll, thanks! ^.^’)


-The Gneech

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Sorry about that! Patreon doesn't like raffles! I'll figure out something else to do!

-TG
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Me and some of my best imaginary friends.

Me and some of my best imaginary friends.


So yeah, my foray into the world of adult art has in fact doubled my Patreon income, which is awesome! Bringing it all the way up to… $176 a month? O.o


Mind you, I’m grateful to all of my supporters, especially those at the top who have gone above and beyond all of the reward tiers and stuck with me for nearly half a decade. You folks are amazing!


But I look at “comparables” doing similar work to mine, and I see…



Clearly, my Patreon is underperforming, and I need to figure out why, and how to change that. Suburban Jungle Boogie was the first step, and it certainly had an impact! The next few months will be building on that success. My Patreon growth goals for 2018 are:



  • June 30: $200

  • July 31: $300

  • August 31: $500

  • October 31: $600

  • November 30: $750

  • December 31: $1,500


How am I gonna do this? I have no idea! So I’d love to hear any input or suggestions from anyone, ranging from creators who have succeeded and how they did it, to supporters who would be willing to tell me why they chose which artists to support and at what level. And once I have it figured out, you can bet I’ll be back here to report how I did it, because I love you. 😉


Meanwhile, please enjoy a word from Leona Lioness…


Leona is not safe for work.

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Just some of my books!

This weekend is Fur The More 2018 in Tysons Corner, Virginia, and I’ll be there! Most of the time you’ll find me in the Artist Alley, with copies of issue six (“Ready to Rumble!”) and the first Rough Housing collection “Giant Enemy Crab!”.


Sunday morning will also be the first running of my new panel, “Passing for Human.” Drawing on my training as a success coach (and backed with a lifetime of experience convincing people that I am in fact a human being), the panel will cover the basics of meeting new people and making friends, how to handle yourself in public situations, and how to build positive and healthy relationships while avoiding some of the traps that can afflict a fandom. It will also address positive ways to meet and interact with artists and other creators within the fandom, as well as avenues to get out there and become the sort of person other fans will want to meet.


So in you’re in the Washington D.C. area, I hope you’ll come on by! My panel is Sunday morning at 10:30 in the Madison meeting room, and the rest of the time, you’ll find me in Artist Alley. See you there!


-The Gneech

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As folks may know, my day job is a success coach. I work with people in lots of different walks of life, but my native tribe is, was, and ever shall be creative types! 🙂 To that end, I’m opening three slots for artists or writers to get 90 days of coaching at no cost.


YOU GET: 1-hour weekly sessions via phone or internet hangout where we look at where you are in your creative pursuits, what obstacles you are facing and how to overcome them, and the possibilities that will open up for you to get you where you want to be.


WHAT I ASK IN RETURN: Feedback! I want to be the awesomest, most kickass coach ever– which means I need to learn what I’m doing right, what I’m doing wrong, and how I can do it better. 🙂


NOTE: This service is coaching– i.e., helping you reach your goals; not art tutor, editor, or similar services. Adults only, please. 🙂


Comment here or send me an e-mail via himself@gneech.com if you’d like to set up an intro call to talk about nabbing a spot! 🙂


-The Gneech

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Running of the 16-ton Weights

I've had a rough couple of weeks. :P

Long story short, too many plates spinning. Between Barnes & Noble, coach training, coach actually doing, commissions, the comic, and actually running some D&D, there was just no way to do it all. And then, I got sick, and everything just came clattering down like the chef in those old Sesame Street shorts who would call out "Five! Fancy! Fruitcakes!" and then promptly fall down the stairs.



I feel you, Sesame Street Fall Down the Stairs Guy.

I did manage to finish Leona Is Not Safe For Work, get to all of my B&N shifts other than the one where I called in sick, do some networking with Justy, and ran D&D last night. Tonight, I do not get to go to bed until Joey Gatorman's commission is done. So a lot of things have gotten done. But as of right now I still have not taken on a formal coaching client and have fallen behind on my training, don't have a comic page for next week, and am not likely to have one for the week after, either.

There just literally isn't time to do it all, and even if I try, I'm just going to make myself sick again, because I'm not getting any days off in between.

Of all these things, the most time consuming and least rewarding has been Barnes & Noble, so I gave my notice there, as of this coming Friday. This coming week I will be catching up as much as I can before the second training weekend with Accomplishment Coaching.

Last night, I had the classic "The semester's over and you haven't gone to class!" dream, and woke up feeling overwhelmed and terrible. Yes, thank you brain, I'm aware of this, you don't need to remind me. Today, in between being at B&N again, I'm going to make it a do-or-die priority to finish that commission.

I'm standing up, cleaning the custard splats off my face, and moving forward.

-The Gneech
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Like the video, this month is going to be epic.

Why? Because in February I have to do ALL THE THINGS. O.o

What things specifically? Oh, just...

  • Finding and taking on at least four new coaching clients

  • Completing my monthly practice areas for next month's training weekend

  • A page of Suburban Jungle every week

  • A big commission for Joey Gatorman

  • A smaller-but-still-important commission for Fzygal

  • Art for the AC conbook

  • Oh yeah, I have a job at Barnes & Noble, don't I?


These are the things that I need to do this month. In terms of what I want to do this month, I have a piece of Valentine's Day art that I want to do for a) fun and b) as the start of this mysterious NSFW art project I have been hinting around about in certain circles, and at some point Jamie and Inkblitz are going start giving me the side-eye if I don't, y'know, run some more D&D myself. >.> ^.^'

The keys to getting all this done are going to be timing, focus, and perseverance, with a healthy dose of scheduling breaks in to make sure I don't burn out. I can't take on coaching clients until Accomplishment Coaching finishes setting up my billing information, so while I'm waiting on that anyway, it's time to crank on art. Joey Gatorman commission has been in the queue for the longest, but as long as I send him WIPs, I should be able to get the Valentine's Day piece done on Thursday, and so forth.

However! That does mean that a lot of my go-to time wasters are going to have to go to the curb, including (but not limited to) Twitter and Tumblr, places where I am prone to just shutting off my brain and absorbing the way previous generations would just lie in bed in front of the TV all night (but all the more insidious because you can take it wherever you go).

So if I seem quiet or remote in the next few weeks, that's what's up. Feel free to toss me an e-mail or DM if you need anything or just want to chat! ♥ I'm not becoming a hermit, just crunching against multiple deadlines.

-The Gneech
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Midwest Furfest 2017 was awesome!


Hello, all you awesome readers, and thanks for your November support! It’s been kind of a nutso month for me… I started a part-time job, moved (AGAIN) for what I hope will be the last time for a while, got about halfway through NaNoWriMo before I had to punt, and of course got Issue Six and the first trade collection done in time for Midwest Furfest. So, yeah, just a little busy there. ^.^’


December is hopefully going to be less frantic, but there will still be some big stuff going on. I’ll be starting work on issue seven, hopefully to begin posting late in the month or in January. I will also keep working on Child of the Tower (and posting it to the writing WIP tier for my Patreon subscribers). Finally, I am looking at creating another Patreon tier for art going in a completely new direction than I have done before, but I don’t want to say too much about that until I’ve got all the kinks worked out.


So tl;dr version, thanks for a great November, and watch for more great stuff coming in December! Thanks, everyone. You rock!


-The Gneech


PS: Commission Queue as of December 7, 2017!



  • LKCMSL NaNo cover. Paid: Yes; Due: ASAP

  • Redliox/Blue Shenanigans, again! Paid: No; Due: Dec/Jan

  • Joey Gatorman SJ AU. Paid: No; Due: TBD

  • COMMISSIONS ARE OPEN!

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    About 2/3 of the way through the opening sequence of Heathcliff/Cats and Company, Riff-Raff and Cleo randomly go zooming off in a bathtub.


    It’s not a bathtub on wheels, there are no rockets or other means of propulsion. It’s just a friggin’ bathtub.


    I mean, the cats living in a random James Bond-esque transforming Cadillac in a junkyard, didn’t bother me. But flying off in a random hover-bathtub? That bothered me.


    Last night, I had a random dream in which I was watching a “behind the scenes” video about this series. I don’t know if this dream was based on a long-lost memory, or if it was my brain making stuff up, but it doesn’t really matter. In the dream, somebody my brain identified as one of the show-runners coined the term “laconipedantism.” “What that means,” he said, “is that our policy was to explain as little as possible, or with as few words as possible, or to just not explain things at all. ‘How does it work?’ We’re not going to tell you! What you see is what you get, deal with it.”


    That struck me as a gutsy approach. I don’t know if I would always consider it a good approach, but it was a gutsy one. But as I started to think about it, I realized that lots of storytellers work this way. Sometimes, you even get Lampshaded Laconipedantism.


    Even Kronk thinks it doesn't make sense!

    Lampshaded Laconipedantism, or “We’re not gonna tell you! Neener-neener-neener!”


    Obviously, cartoons have the most leeway for this kind of thing. Contemporary shows like Gumball and Friends work entirely on this premise. But heck, the Marvel Cinematic Universe runs on this fuel, as does most fantasy literature. Star Trek and a lot of science fiction does a weird inverse, where it starts with “teleportation exists” and starts playing around with the ramifications of that, but it still can’t tell you how teleportation really works, just that it does.


    Not every wild premise actually qualifies as laconipedantism, however. What makes it laconipedantism is the refusal of the artist to explain, address, or even acknowledge that there’s anything weird about it. Riff-Raff and Cleo go zooming off in a bathtub, man. Get over it. Done well, it creates a feeling of confidence in the work, even when it leads to headscratchy moments. Done poorly, it just becomes an incoherent mess, where the world makes no sense and the story falls apart.


    Use with caution.


    -The Gneech

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    I believe this is current. Please let me know if I've missed something!

    • Ace 8th Doctor

    • Dipper/Maxgoof

    • Rufo/Parker silliness

    • Tiffany as Wonder Woman


    -The Gneech
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    I think this is my current queue. If you commissioned me for something and it's not listed here, please let me know because I had a bunch thrown at me at AnthroCon while I was operating about about 40% normal capacity and I have no idea if anything got lost in the shuffle.

    • Graveyard Greg broke my brain (still not paid? check)

    • Ace 8th Doctor

    • Fluttershy v. Monkey

    • Dipper/Maxgoof

    • Rufo/Parker silliness


    Can that really be all there is? O.o I must have actually gotten some work done without realizing it. >.>

    -The Gneech

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